純真童年的結束,也就是「生活」的結束。
等待著他們的是那樣了無生氣的「生存」。
《The Dreamers》
以「做夢的人們」為名,替那個時代的年輕人作了歷史定位。
他們年輕可以揮霍身體,他們可以恣意而行,都是對於那個屬於年輕人的叛逆時代的別喻。
外面的世界正在革命,對於大屋內的人也正在經歷革命的衝撞,因為兄妹的舉止而對自己的觀念衝撞;雖然他們努力想要維繫著「我們是一起」的世界,終究不耐現實的衝撞而分道揚鑣。
對真實自我的認識,我們在夢裡活的快樂,找到安逸的感覺,逃避現實的殘酷和人性中各種矛盾的殘忍,我們用各種高尚的口號和主張來合理化自己的舉止,掩飾這些舉止背後真實動機的醜惡。然後我們就忘了這是夢,而以為這就是現實。

In the name of "dreamers", made a historical position for the young people of that era.
They can squander when they are young, and do whatever they want.
They are all metaphors for the rebellious age of young people.
The outside world is revolutionizing, and the people in the big house are also experiencing revolutionary collisions. Because of their brothers and sisters' behavior, they collide with their own ideas; although they strive to maintain the "we are together" , they are ultimately unable to bear the collision of reality. And part ways.
The know yourself, enjoy in dreams, the feeling of ease, the cruelty of escaping from reality and the cruelty of various contradictions in human nature, we use various slogans and propositions to rationalize our behavior and conceal the truth behind these behaviors The ugly motive. Then we forgot that it was a dream, and thought it was reality.
Designers | Wei Cheng Lin / 林委呈 & Yu Han Sue / 蘇郁涵
Photographer | Ya Fei Yang / 楊雅妃
Project Assistant | Zi Yu Liu / 劉子瑜
Print | Hasuriso



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